Is Tai Chi an effective martial art for purposes of self-defence?
That is a well phrased question. There are many benefits of learning a martial art that go far beyond dealing with simple self defence situations.
Sure, any martial art is capable of developing skills that can be useful for self defence. How comprehensively they do so depends less on the style and more on the individual teacher… and on the mind of the student. Tai chi schools are no different.
- Some schools are very good at teach awareness and psychological skills that can reduce the chances of being attacked.
- Some teach combat techniques, but are not very adaptive to changing scenarios.
- Some focus on adaptation but do not offer much variety in the way of technique.
- Some emphasize strategy and tactics but don’t develop physical skills.
- Some develop skills but don’t offer much in the way of conditioning.
- Some do lots of conditioning and technique, but do not teach awareness or practise contextual scenarios.
Where does tai chi fit in all of this? Well, that depends again on the teacher and the student. It does not, in my opinion, depend much on the style. I have seen the best and worst of dozens of tai chi styles (all the major styles and many derivatives). Great “fighters” have come from all styles.
There are many components to tai chi training, including conditioning, basic movement, power training, forms, various 2-person exercises, martial techniques (strikes, throws, joint control, pressure point manipulation….), neigong/qigong, weapon training, therapeutic exercises, philosophy, strategy, tactics, history, and much more. But most schools only teach a small fraction of the potential curriculum. And those that do teach a larger curriculum often fail due diligence in their own research.
I have worked with students from many different martial arts, and I have seen what can happen in different circumstances. I have taught long enough that my students have included military personnel with experience in armed hand-to-hand combat in various conflicts over the last 80 years. My civilian students have faced various types of violence from typical North American street thugs, to car-jackers, and AK-47 wielding bandidos. I have also had some personal experience with “real world” self defence, enough I know the difference between self defence and martial sport.
A historical style is the personal expression of someone else’s martial art. It is like trying to imitate a famous singer. It will not be as effective as developing your own style. You need to adapt it to your own body, your own mind, and your own voice. When you imitate a teacher, you are learning how they have adapted to their own strengths and weaknesses. You may even start to mirror their weaknesses. In other words, attachment to another person’s style is like learning their pathology along with their cure. You need to examine your own pathology and develop a cure that is right for you.
The great masters never stop improving and seldom get to teach half of what they know before they die. If you are one of the extraordinary students who learn that 50%, then you will still need to develop your own art, just as your teachers did. But most students only learn a small fraction of their teacher’s art, and those students will teach only a fraction of theirs. This leads to an inevitable dilution of knowledge.
In addition to that, time and context are subject to change. We face different kinds of threats than our ancestors did. So we need to adapt the art to serve our time and place. The weapons and types of attackers that we might face may be quite different from what they faced.
We also have access to knowledge that our ancestors lacked. So, it makes sense to reinterpret their experience from our modern perspective. We might never be able to understand what they were talking about. So we need to find our own words for our own experiences. As we improve, we might get a better sense of what they were teaching. But even if we don’t, our own search may bear fruit. My students might have difficulty understanding “jing” or “qi” or “the six harmonies” or “5 elements in the feet” or “eight trigrams in the hands”. Likewise, as our ancestors might not have understood “proprioception”, “axial rotation”, “6 degrees of freedom” or the relationship between momentum and kinetic energy.
I find that tai chi has been the greatest vehicle for my development as a martial artist. But I also study other traditional and modern martial arts from around the world. That is what my tai chi predecessors did. They did not limit themselves to one teacher or one style. Why should we? The greatest tool in my arsenal, by far, has been the spirit of investigation and critical thinking that has been passed on by my teachers.
Most people who teach tai chi do not have any interest in the martial aspect. Even among those who do, most are unwilling or unable to test their skills or adapt their pedagogy. If you want tai chi to help you in a fight, you must use it as a tool for liberation. Don’t let it be an albatross around your neck.
Do I think tai chi can win a fight? No.
Do I think a person can use tai chi to win a fight? Yes.
Do I think tai chi is a practical martial art for purposes of self defence? Absolutely, especially if you study the difference.